Tai Kwun x HK Phil: Social Distancing

Dance en Scene 2023

Tai Kwun X HKAPA: “Sherlock at Home”

On Stage Online

Tai Kwun X HKAPA: Last Ride, Fresh Eyes

Tai Kwun X HKAPA: “I go to Japan by bus”

Tai Kwun X HKAPA: “Cheers!”

Circus Movie: “Isabella”


Tai Kwun x HK Phil: Social Distancing

The Happy Family: Gumbo and the Large-mouthed Monster

The Making of

The story of “Diary VII • The Story Of......”

Juggler Town

A Long Long Walk (work-in-progress)

Dance en Scene

Social Gathering Ban(d) Show

The Happy Family Work-in-Process Showcase

Terry-fying – Work-in-Progress Showcase

Dance en Scene

Jockey Club Musicus Heritage Alive Online Concerts - “Explore Tai Kwun with Classical Music”

Breathed a Sigh of Relief

Social Gathering Ban(d) Show

Om Encounter: Work-in-progress

A Lover’s Concerto

A Poem in Jail (in progress) – Happy Together Till the Next Century Comes

See You Zoom Again

The Creation of Under ∞ Line

We Are (digitally becoming) Spectacle(s)

Date & Time

21 Dec 2020 - 30 Jun 2022




Free of charge


In collaboration with

The pandemic has kept musicians apart from each other for months and has undermined the instinctual nuance of collaboration which is at the heart of any musical performance. Since the 16th Century, spatial distance has inspired composers to write music which makes architecture resonate. As Hong Kong’s musicians re-assembled amid months of isolation, multi-media artist Oliver Shing celebrates unique architectural spaces through music and film, placing them into the iconic structures of Tai Kwun to perform the new work Social Distancing by composer James Boznos. Boznos, who is also HK Phil’s Principal Timpanist, collaborates with his colleagues to perform the work that speaks to the disconnection of the pandemic experience, and celebrates architecture, music, isolation and coming together.

Notes from the composer

The expression “social distancing” had little meaning to me until society socially distanced, and orchestras fell silent. In an effort to get some of us from the Hong Kong Philharmonic back playing together, I wrote this piece. It is a virtuosic vehicle for a mini-orchestra representing each instrumental family; wind, brass, percussion, harp, and strings, to perform together — for themselves, to make a video, or give a live socially distanced performance. Since traditional performance venues were closed, untraditional settings and iconic architecture were in my mind’s eye as alternative performance venues. I designed and composed this piece for the majestic Herzog & de Meuron staircase in the Tai Kwun Centre for Heritage and the Arts, Central, Hong Kong.

This piece is a sound sculpture, and there are two possibilities for its realisation. It may be played on one level stage with at least 2 metres separating any two musicians, or it may be performed with the musicians on multiple levels, like a 3D chessboard. My original conception of 4 soloists’ “characters” was reinforced by one of the iconic images/moments of the pandemic — people singing out of their windows while isolated at home. I pictured the musicians on different levels of the staircase in symbolic “windows” surrounding a central square “singing” their austere melodies.

People have given so much in these times. The mood of the music evokes isolation. The solos are laments — 4 different songs of loss, despair, agitation, dreaming, mental anguish, and hope. The healthcare workers, the grandparents who couldn't hold their grandchildren, the people who died without family at their side, and the millions who were forced to embrace lonelier times. In the final section of the work, all the melodies sound simultaneously.

The mp3 is comprised of a low drone and metallic percussion forming a backdrop to the antiphonal instruments. The low “D” sounds throughout the entire piece. Its effect can be both calm and ominous. It reflects on the ever-present power of COVID. Although we may forget about it briefly (like the effect of a drone), it saturates daily life. It also signified the commonality of the whole world’s predicament. The structure of the piece is in 7 “windows”: 1.) horn solo 2.) flute solo 3.) interlude 4.) bass clarinet solo 5.) trumpet solo 6.) interlude 7.) All windows.

Creative staging is encouraged. My dream for this work was realised in the video we made on the staircase at Tai Kwun. This pandemic has been a spiralling descent into distance for musicians craving what is most natural to us — performing together on stage with close contact. I hoped with this piece, that others around the world would record this work in an architectural gem of their own city, highlighting the virtuosi within their own orchestras as we wait for the ascent back up the staircase towards a new normal.

I have also made a version for 13 antiphonal strings, op.23b. The structure and mp3 are identical in both versions.


Bass Clarinet in B-flat
Trumpet in C
Horn in F
Violin I
Violin II
Percussion (one)

Director: Oliver Shing
Sound Producer: Roy Cheung
Composer & Principal Timpani: James Boznos
First Violin: Wang Liang
Second Violin: Domas Juškys
Viola: Li Jiali
Cello: Fang Xiaomu
Flute: Megan Sterling
Bass Clarinet: Lorenzo Iosco
Trumpet: Chris Moyse
Horn: Lin Jiang
Harp: Amy Tam

On-demand Viewing

*The locations shown in the video were cleared during filming with no public access.



Oliver Shing graduated from the School of Journalism and Communication of the Chinese University of Hong Kong. He is currently a Digital Image Designer, Multimedia Designer, Director, Guest Lecturer of the Hong Kong Academy for Performing Arts and a member of the Heteroglossia Theatre. 

In recent years, Oliver Shing has established his own multimedia studio, the DAAIMUNG, which participates in cross-over creations and experiments with innovative multimedia performances and styles. He has participated in the image design of many concerts and theme park. His recent work includes Weaving Tales, an architectural projection mapping at The Mills in 2020.



James Boznos was born in Chicago and joined the Hong Kong Philharmonic Orchestra in 2000 as Principal Timpanist. Under the nom-de-plume OZNO, he has also established a reputation as a wide-ranging and innovative composer. He has written music for orchestra, chamber ensemble, solo instruments, voice and electronics, as well as for the theatre. Recent premieres in Hong Kong have included Cantata no. 1 Anesti, Cantata no. 2 Nevu’ah, and Cantata no. 3 Gabriel, for soloists, choir, orchestra and mp3 with the Hong Kong Bach Choir, and Jaap van Zweden and the HK Phil performed his Oikogeneia in 2016. Social Distancing is his most recent work, composed earlier this year.